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She is angry at him for promising things she doesn't believe they'll ever get to enjoy, while Tom insists that simply surviving isn't the same as living. She is focused only on ensuring their survival, and clashes with Tom when he tries to give them hope by telling them a story about climbing a tree and finding a bird's nest at the top. Because of this fear, she refuses to give them real names, referring to them only as "Girl" and "Boy," despite Tom's objections.
Malorie is ultimately afraid of allowing herself to openly love her children, for fear that she will make them too soft or that it will hurt too much when she loses them. This hardness is only compounded by her experiences in the apocalypse: seeing how Olympia's trusting nature gets herself and almost everyone else killed, and taking on board Douglas' pearls of wisdom about how there are only two kinds of people - " the a**holes, and the dead." In contrast to Olympia's sweetness, compassion, and trusting nature, Malorie is much more hardened, having been raised by a bad father and forced to look out for herself from an early age. Olympia openly admits that she is very soft, having been spoiled by her parents and then taken care of by her husband, without ever having really had to fend for herself. Early on in the movie, Malorie is deliberately paired up with Olympia so that audiences can see the contrast between the two pregnant women. Bird Box Is A Story About Learning To Hopeīird Box is as much a character study as it is a post-apocalyptic thriller, examining the different ways in which people cope with the apparent end of the world.
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